The show is built on a sparse aesthetic heavily inspired by film noir lighting, where what’s visible is as important as what isn’t. Certain scenes rely heavily on stroboscope lighting and the fragmented effect it has on movement, forcing the viewers imagination to fill in the blank spaces.
The only spoken material in the show is delivered by a taxidermy fox, whose pre-recorded voice will be delivered in whatever language is suits the audience. This makes the show as universal as it is to have regrets.
Besides aerial rope and cyr wheel, the show also incldues sword swallowing. Presented as a choreographical tool rather than a side show shock trick, the sword swallow is the culmination to a movement duet about who is really to blame for your regrets.
As a permanent tally mark for each show, each loop in time, a line of ink is tattooed under the skin of the performer, as the ultimate metaphor for regret and infinity, letting every single show visibly change the performer(‘s body) forever. Acting as a drastic example of how some experiences stay with us until the rest of our lives.
